Maus by Art Spiegelman

Spiegelman, Art. 1986. Maus I: A Survivor's Tale: My Father Bleeds History.

This is a true-must-read of a book, well, a graphic novel to be exact. But still, must-read at all accounts. I loved the format of this one. No, not just the graphicness of it. But the framework of the story. How this novel is just as much about a father-son relationship--in all its complications--as it is about Jewishness, about the Holocaust. I also love the exploration of the psychology of it. So often with "Holocaust" books the issue of long-term effects, of psychological and emotional trauma that persists through the decades following such a horrific event, doesn't come up. It's a non-issue. Often memoirs are about a specific period of time. Liberation comes from either the Americans and the Russians. And voila. Horror over. But life isn't that easy.

In this first volume, we meet Artie, an artist, and his father, Vladek, a Holocaust survivor who is grumbling his way through a second marriage to a fellow-survivor, Mala. (Artie's mother, Anja, committed suicide in the late 1960s.) Artie seeks out his father in this volume wanting to hear his story, his past. Seeking answers to questions not only about his father, but his mother as well. Questions about the Nazis, the war, the Holocaust, how these two survived despite the odds. We, as readers, follow two stories, the contemporary setting where a son is asking some hard questions of his father and getting inspired to write about them in graphic novel form, and the historical setting--1930s and 1940s--where we meet his parents and learn their stories and backgrounds.

His father isn't in the best of health, and their relationship is strained. The book addresses the question of if parents ever really understand their children and/or if children can ever truly understand their parents. Can stressful tensions--ongoing issues and conflicts--ever be resolved peacefully? The drama is just as much about healing as it is the Nazis. And I think that is one of the reasons it's so powerful, so resonating. These characters--represented as mice in the novel--feel authentic. They're flawed but lovable. Their stories matter. (By the way, the Nazis are cats. The Polish are pigs. The French are frogs.)

The story is continued in Maus II.

Spiegelman, Art. 1991. Maus II: A Survivor's Tale: And Here My Troubles Began.

If Maus I was great, Maus II is even greater. If you thought the first one was heart-felt and moving, wait until you get to this one. Everything is more intense. The sorrows and griefs are even deeper; the actions even more troubling. For here we get to the heart of the story. The darkest place of all. Artie's father and mother have been captured by the Nazis and sent to a concentration camp. (In this graphic novel, the name is "Mauschwitz" instead of Auschwitz.) In the contemporary story line, we see that Artie's father isn't doing well; in fact, it becomes obvious, that he's dying. This complicates things tenfold. More guilt. More anger. More frustration. Even in fine health, Artie had a difficult time getting along with his father. Now, when his father perhaps needs him more than ever, he's crankier and grouchier and meaner than ever. Life isn't easy. Never easy. This is a complex novel--graphic novel--with heart and soul. Highly recommended.

Maus I and Maus II

by Art Spiegelman
age: adult
First sentence, Maus I: "I went to see my father in Rego Park."
First sentence, Maus II: "Summer vacation."

These are two books, but like Persepolis, they're essentially one story, so they get lumped into one review.

One review in which I'm not sure what the heck to say about the book. I'm always at a loss for words when it comes to the Holocaust; it's so depressing -- humanity at its worst -- that I almost would rather not go there. However, these graphic novels -- stark and depressing, yet somehow ultimately hopeful -- are worth reading.

I'm not sure if this is a story that couldn't have been told in a different form, but for what it's worth, it works as a graphic novel. It's spare, but then, I'm not sure the story of a survivor of Auschwitz could (or should) be anything but spare. Even though Spiegleman didn't go into detail about the situation, or the harshness, it was all there in its stark, depressing reality.

I was fascinated by the relationship between Spiegelman and his father -- how did the Holocaust fit into it? Did the Holocaust make his dad into the grumpy, miserly, bitter, racist person? He fits squarely into the Jewish stereotype, and yet I could sense that Spiegelman was trying to understand his father, understand why their relationship was so strained. I'm not sure any of us got any answers -- Spiegelman or the rreader -- but I appreciated not having it spelled out or sugarcoated in any way. Something like this shouldn't be.

I'm sorry I don't have more coherent thoughts about this one. I think it's an experience -- kind of like the Holocaust Museum is an experience -- that's beyond words. There are horrors out there, and sometimes it's good to face them. Even if its in a book.

Maus I and II

Brilliant. Powerful. Poignant. Intensely personal. In graphic novel format and the winner of a Pulitzer Prize Special Award in 1992, Maus is Vladek Spiegelman's story of his survival of Auschwitz during World War II. It is also a story of the father-son relationship between Vladek and Art. In this first book, Art interviews his father about his intense past. Each nationality is represented as a different animal. The Jews are mice, the Germans are cats, and the Poles are pigs. We not only see the absolute horrors of Auschwitz from a survivor's viewpoint, we also see one survivor's son deal with the guilt of just being the son of a survivor.

I first heard about this book through Dewey for the graphic novel challenge. Thanks so much, Dewey, for introducing me to this astounding work.

Highly recommended to all.

1986, 161 pp.
Rating:

The continuation of Maus, and subtitled And Here My Troubles Began (From Mauschwitz to the Catskills and Beyond), Maus II is every bit as astounding as Maus, and the two books really should be read together. In this book we learn more about the end of Vladek's life, and one of the questions that is posed from the book is:

They were survivors, but did they really and truly survive?

Art's struggles with his father's personality -- made so because of the war -- are clearly shown. He is very honest in his portrayal, even to the point of demonstrating his father's own prejudices -- something you would think would be non-existent in someone who had been persecuted himself.

Again, I highly recommend both books to all.

Serialized from 1973 to 1991, 127 pp.
Rating:

Megillat Esther

Happy Purim!

For my next entry in the Jewish Literature Challenge series, I chose a graphic novel-style interpretation of the Megilla, the story of how Queen Esther saved the Jews from slaughter by King Achashverosh and his advisor, Haman, in ancient Persia, forming the basis for the Jewish holiday Purim, which begins tomorrow. Not your standard children's-book interpretation, this version of Esther's story is full of intrigue, conspiracies and reversals, not the least of which is the physical reversal of the text which occurs halfway through. At this point, the reader needs to flip the book over and read it right to left, all the better for the Hebrew but possibly jarring for readers unfamiliar with reading Hebrew or (in my case) Japanese manga. But I digress.

This Megillat Esther is a treasure, a beautiful and thoughtful retelling of the Book of Esther. The story is told in English and beautifully-lettered Hebrew, and includes rabbinic footnotes and a bibliography, as well as a section explaining the importance of citations and explaining the term midrash, the orally-told stories that expand on the Hebrew Bible. This section seems aimed at children, but this is no children's book. Waldman's rich, detailed black and white illustrations reward careful attention and a slow, deliberate pace, and there is some racy sexual content and innuendo that would make me hesitate to include this volume in a library collection for children, although it would be wonderful for adults who can be persuaded to read a "comic book."

Waldman's Megillat Esther is a real treat. I had a hard time tracking down a copy through my local public library system, but it's worth a read, at Purim time or anytime.